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Potential Clocking Issue
I have two windows machines that I getting a slight clicking in my Atmos signal routing back to ProTools. I am guessing it is a clocking issue.

I have PT HDX cards with rednet5 boxes passing audio to the renderer. I May need to upgrade my switch so I am working on trouble shooting to be sure the Dante isnt the root cause.

But if it is a clocking issue, I assume the next upgrade would be an AVID Sync or something similar. But I am not sure what/how I would route the LTC to the renderer machine. Can anyone help educate me on the hardware and protocols that would be used on the renderer?box if I were to venture into an HD Sync or something?

  • AdamP (Dolby Labs)

    Hi,

    If you were to go with an external LTC generator you could use an analog to Dante converter from Audinate:
    https://www.audinate.com/products/devices/dante-avio

    What are you using to generate LTC now? Are you creating .atmos files with the Renderer or just using it for monitoring with Pro Tools and bouncing to mix?

    I think your first assumption is correct and this is a clocking issue. If there is drift/jitter in LTC the Renderer will show timecode discontinuities in the logs and/or drop out of record if these are persistent.

    Thanks,
    Adam
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  • Thanks - so if I were to use the a sync etc you are saying I would take the LTC signal out, route into an audio to Dante convertor, then in Dante controller route that Dante signal to an in on the Rednet PCIeR card of the renderer. Then in the renderer I would use LTC over audio to the approriate LTC input channel.

    So, on the renderer side things wouldn't change that much. from what I have tried so far.

    Since I am working in windows I have tried the following.

    On a PT track I have tried two things:

    1)
    https://txl20.com/txl-timecode-plug-in/ - however it does have issues and cause the audio engine to error and stop on busy sessions.
    2)
    https://txl20.com/ltc-wav-generator/ - I have also used their timecode generator to create an audio fie and placed it on a track in my session - doesn't cause PT audio engine issues.

    Then I route these out to Dante via a channel on a RedNet5, and in Dante Controller route that to the renderers Rednet PCIeR card.

    Any other info would be greatly appreciated.

    Dave
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  • AdamP (Dolby Labs)

    Hi Dave,

    Yes, you need to create a muliticast flow of the last eight channels so you can route the converter to input 128 without losing the preceding audio inputs. This is covered in the installation guide. But I don't think this is a time code issue as much clocking issue. Are you using a word clock generator? Which device is the preferred leader for the Dante network enabled for external sync?

    Thanks,
    Adam
    Expand Post
  • thanks - the routing and multicast makes sense.

    So here is some more info.

    For Avid interfaces I have an Omni and HD I/O.
    In ProTools I have the clock master set to Internal and using the Omni as the LoopMaster.
    I have the Loop Synh connected between the Omni - HD I/O - and the two RedNet5.
    I actually tried only connecting the leader Rednet5 to the Loop Sync - based on Focusrite documentation saying that connecting more than the Leader wasn't needed.
    The RedNet PCIe (renderer and second RedNet5 are Dante followers.

    I have also tried sending the LTC signal over both RedNet devices and get the same clicking.


     
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  • To check back in - I judiciously went through every piece of hardware and software cabling and routing and the issue is resolved.

    I believe the issue were the primary Focisrite RedNet5 clocking settings reset. However, I touched every part of the chain, so I cannot say that with 100% certainty. 
  • AdamP (Dolby Labs)

    Hi Dave,

    That seems a plausible culprit. Glad you got it working.

    Adam